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Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

December 30, 2010

Perthpective


What's that old platitude, something like "you're not the best judge of your own work?"

The more I give over to my creative side, I keep learning that lesson over and over. I think I have a good eye for editing my own work, and of course I'm usually wrong.

I've also learned that the best way to really see something objectively is to give it time.

Time is the great mediator.

(wow, I'm chock full to brimming with platitudes today!)

Anyhow, I got to thinking about this recently while sorting through my iPhoto library. As an amateur photographer, I take *a lot* of photographs. This is the advice of my friend, mentor and teacher, Marty Springer, so I follow her advice.

But this means my iPhoto library fills up fast with fair to middling to downright awful shots. Since all of this dreck was slowing down my iMac, I decided to save the photos elsewhere and start again.

Oh, and also...my New Year's resolution is to get better about tagging all of my photos as I download them so I can search more quickly.

So in cleaning out my old photos, sifting through the pile, I came across the shot at the end of this post.

The Feline had climbed into the laundry basket that was lying on the ground, so I grabbed my camera and took a few snaps. I considered them throwaway photos. Less than throwaway. I downloaded them to my iMac and never looked back.

But something about this photo...it really works. It was taken probably two or more years ago when I was just learning my camera and had no idea about depth of field. And yet, the depth of field is what makes this photo interesting. It's not a perfect photo but it's also not bad. A little imperfect Photoshop adjustments and I'll be damned...not too bad at all.

Because not only with time comes perspective, but also...I can learn some lessons from three years ago me. The one just learning about photography. The one who just snapped and didn't think.

A careless shot can be magic.

I guess that's why my photography teacher tells us never to delete photos. "You never know" she says.




click photo if interested in seeing a larger size





Photo by Karen Fayeth and subject to Creative Commons Attribution 3.0 License.

December 3, 2010

Warfare On The Not-Really-All-That-High Seas


Back in August, I mentioned that I work in office buildings located right next to a public park and marshy baylands that are home to quite a few birds.

Back in August, it was all about the Canada Geese. Lots and lots of geese.

I'm endlessly fascinated by all the wildlife, so I try to find the time during my work days to take a break and use the beautiful walking trails in the area. I love to stroll by the lagoons, all teeming with wildlife.

Among others species, we have flounder, bat rays, ducks, herons and egrets. The more I sashay around the lagoon, the more I've come to recognize many of the animals.

For example, there is this handsome fella (at least I think it's a fella). This is, I believe, a great white heron:





This heron is always found camped out in one corner of the lagoon. It is where the water flows into the lagoon from an underwater pipe, so the bird stands there gazing into the water and picking off small fish.

For comparison, here's a snowy egret. They are a bit smaller than the herons.





As the weather has turned cold, I've noticed more and more numbers and species of birds have come to call our little baylands area their home.

Mostly, these birds all live together in harmony. There is plenty of fish to eat and lots of room to roam.

But a few weeks ago, some new thugs hit town, and they're messing up the harmony in my lagoon.

Dun-dun-duuuuuuuun

Pelicans.





The pelicans have brought a weird vibe to the whole area.

Today, I went for a walk and took my camera along hoping for some inspiration. After a long week at work, I had little left in the tank. A photowalk seemed like a good idea.

So while taking a few snaps of my friend the heron, I noticed something odd happening.

About eight pelicans were swimming in fast, full speed ahead. I suppose you could call it ramming speed, and they were headed toward the subject of my photographs.

In other words, they were charging the heron.

Suddenly, every heron and egret in the large lagoon came flying and squawking their way over. There was dive bombing and vocalizing and tense moments.

After a few minutes, the pelicans turned and swam off.

Wild! I'd never seen anything like it! Shaking my head, I began walking again.

A while later, in the next corner of the lagoon, it happened again.





Water splashed, birds squawked. This one was a doozy. It was a well-executed, well-choreographed battle.

After a lengthy tussle, the herons and egrets prevailed again and the pelicans were chased off.

Now every heron and egret was on high alert. They were positioned strategically around the lagoon, each surveying a different direction, eyes sharp for another attack by the pelican insurgents.

Soon, in yet a new section, it all started up again. The splashing, the squawking, the fighting.

From the rear, a large battalion of little black ducks (I believe they are called American Coots) got in the game. They swam over in formation and clumped up, creating an obstacle to prevent the pelican progress.





This is a few minutes after the battle was won. Here, they rest, conserving energy to prepare for the next battle.

A heron soon made his way over to address the soldiers.





"Excellent work, troops. Today, we'll endure this pelican insurgence. Historians shall speak of this day. Children will learn our names. Our women will weep at our graves.

Coots! Ready your snackies and eat hearty... For tonight, we dine in hell!"

Sure enough, it was only a few minutes later when this gent sailed by.





And OH IT WAS BACK ON!!

This time the herons took a different approach and lined up. They all stood guard, and as the pelicans swam by, each heron in turn would yell and flap at the pelicans until they moved on, then the next would pick up the fight. It was an amazing bit of coordinated defense.

Not sure if this photo can even capture it all, but bear in mind that while you can see about fourteen herons in this photo, there are more around the bend, waiting their turn.





By this time, I'd made my way around the loop and it was time to head back to the office. As I left the scene, I wondered how long the battle would rage on.

Crazy, mixed up, wild maritime fighting. My peaceful lagoon is now a war zone!

And the geese don't care.





Don't let the vicious battle happening just a few feet away get in the way of your gorging yourself there, big guy.





All photos by Karen Fayeth

November 29, 2010

I Don't Even Recognize Myself Anymore


Oh no.

I have a confession to make.

It's too horrible to mention, though it must be said out loud. Perhaps an open discussion will take the stigma out of it.

Here it goes:

: deep breath :

I've got the Christmas spirit and I don't know why.

This is a perplexing condition. Usually I'm very, very cranky from about November 15ish until about January 3ish.

I hate the music. Hate the cheesey decorations. Hate the whole hubbub.

For reasons I cannot explain, every once in a while, I get the spirit. I *want* to celebrate the season. I have a burning desire to decorate. I hum Christmas carols. I plan out gift lists and actually, *gasp*, send holiday cards out.

It's an illness for which there is no cure.

It's been about three years since I had this affliction. I cannot explain why it hit me so hard this year, but here it is with all its screaming tinsel and shouting jingle bells.

Halloween snuck up on me out of nowhere. Thanksgiving arrived and caught me unawares.

But Christmas? Nope. I've got my catcher's mitt on and I'm waiting for ya!

I even...well, I did a bad thing yesterday.

It looks like this:





I know! Don't look at me...I'm so ashamed.

At least it's not decorated yet.

But that's only because...

No, it's too terrible to speak.

But I must.

There are no ornaments on my tree yet because....

Ok fine.

Because I'm MAKING THEM ALL THIS YEAR!!!!

It's a sickness.

: hums : Just hear those sleigh bells ringing their jing-jing-jingling tuuuuune. C'mon it's lovely weather for a sleigh ride together with yoooouuuuu.




Photo by Karen Fayeth, taken with my iPhone 4

November 17, 2010

The Lonely Road


I'll send the angels to watch over you tonight
And you send them right back to me
A lonely road is a bodyguard
If we really want it to be


-- From "Sleeping in Paris" by Rosanne Cash

Yesterday I climbed into the Jeep and went on a long overdue road trip, just me and my steel beast, 130 highway miles and lots and lots of thinking.

The reason for the trip was nothing earth shattering, just had to head up to the north side of Sacramento to attend some work related meetings.

Clocking in at just under three hours, it was a ghastly drive, not only because it lacks any sort of interesting things to see, but the stop and go traffic kept me on my toes most of the way.

I left plenty early to avoid commute traffic but had no luck. California's Highway 80 is a busy road no matter what time of day.

As I drove, dodging other cars, stepping quickly on my brakes for yet another slowdown, stopping to pay the toll on the Carquinez Bridge, and cursing under my breath, I yearned for a different sort of road trip.

Growing up in New Mexico, the ability to hop in the car for the sole purpose of a long thoughtful drive was something I took advantage of every chance I got.

While living in Albuquerque, sometimes I'd gas up the car and drive to Soccoro, only to turn around and drive home.

I can't lie to ya, Albuquerque to Soccoro isn't a visually interesting drive either, but once out of the city limits, it's a pretty easy road with hardly any traffic. I'd set the cruise control on 75, point 'er south in a straight line and let my mind work out the problems of the day.

Straight roads and very little traffic produce a very fine form of therapy.

My all time favorite drive and think road, however, is Highway 28 in southern New Mexico. The stretch of road from Las Cruces to La Union and back includes canopy of pecan trees arcing over the road, arboreal arms to embrace and hold me safe in case I need to cry.

I got a lot of thinking taken care of on Highway 28.

Not so much on California's highway 80. The thinking was more like, "uh, stopping again? Why? Oh please don't slam into me!"

But still, it was a road trip and there is something beautiful about me, my decade old Jeep, shuffle on the iTunes and a problem to work out in my mind.

Oh, by the way, something else happened while out there on the road.

First, this occurred:





Shocking, isn't it?

Then, from out of nowhere, this happened:





(No, mom, I wasn't driving almost 80 while taking a photograph of my odometer. Why do you ask?)

It's the first car I've ever owned from fresh off the lot to one hundred thousand miles. Sort of proud of my little Jeep.

And just because I'm feeling gratuitous, here's a quad cam shot of the Bay Bridge (because the Golden Gate gets all the love).



(Click for full size)

Ok, I'm wandering off the point here. Let's tie this whole thing together, and get back to where we began.

I discovered today that any road, even a commute time busy three lane highway in Northern California can be a lonely road.

And a lonely road is a bodyguard if we really want it to be.
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All photographs by Karen Fayeth, and taken with my iPhone 4. Bay Bridge shot from the QuadCamera app.


November 8, 2010

So Thoroughly Nice


Despite the date showing that today is Monday, we're going to pretend it is Thursday so I can meet my weekly Theme Thursday post.

This week's theme challenge is: Sand

Ah sand.

Beautiful beaches. Swimming in the surf. Sand in your shorts.

Really, sand is sort of a metaphor for life. So useful. So inviting. So "ow, damn!" all in one substance.

I wanted to do something different with this theme so I went to my favorite free stock photo site, had to go several pages down, and found the image that really grabbed my attention.





Now we're talking sand!

If you are a horse person, then you know *exactly* what that horse it up too. Just back from a nice long ride and back at the barn, the saddle has come off, the saddle blanked peeled back. The moment that trusty steed is turned loose he will drop awkwardly to the ground.

All four hooves will then swing up in the air and a much happier horse starts wriggling around, scratching a sweaty back in the sand with SUCH a look of joy. Some horses will even groan a bit while they scratch.

Ya can't help but laugh.

It's a moment of joy so pure, it makes me wanna flop down in the sand and roll around just to see what all those sighs of contentment are about.





Photo by Sue Nagyova and provided royalty free from stock.xchng

November 5, 2010

The Artist's Way


You spend time refining your art. You take classes. You learn your tools. You seek out a mentor. You push your bounds and find your limits.

But you can never, ever predict what work you do that might capture the attention of others.

For me, with my photography, it's been about patience. About learning how to set up a shot. Understanding the exposure triangle (ISO, aperture, and shutter speed) and how to apply it.

I study other people's photos. I figure out what I like about them and what I don't, and I learn. I try to replicate. I use the levers and switches and sliders and I take them to the very ends of their capability to see what I like.

And sometimes I get a really good shot. Something I'm excited to share.

Every once in a while, something special happens. Something like...a parade.

And I think to myself, "well, why not take the camera."

So there I am at the corner of Market and Powell in San Francisco, and trolley cars start rolling by carrying the players from this World Series winning team.

The light is terrible. Not only am I down in a canyon of tall buildings, but my subjects are in motion. I bump ISO, but that gets too grainy. I fiddle with white balance, one setting is too blue, the other too yellow. I mess around with my aperture. A little depth of field or a lot?

The parade is in full swing so I begin shooting away. I'm using my 70-300 lens so I can see faces.

Later, at home, I download the batch, some 200 in all. Most photos are blurred. Some turn out ok.

But there is one. Something magic. Something special. Something unpredictable.

And out of nowhere, six hundred and fifty people have looked at my photograph on Flickr.

That photo is below. It is San Francisco Giants players and best friends Aubrey Huff and Pat Burrell. Aubrey has just handed Pat a Bud Light.

Oh, might I add...Aubrey is wearing his Cooperstown bound red "Rally Thong" around his neck.





October 18, 2010

He Spoke to Me


Do you have any idea how powerful it was when I read the following poem, written by Shel Silverstein as part of his book "Where the Sidewalk Ends?"

Listen to the mustn'ts, child.
Listen to the don'ts.
Listen to the shouldn'ts, the impossibles, the won'ts.
Listen to the never haves, then listen close to me...
Anything can happen, child.
Anything can be.


I don't know how old I was, ten or twelve maybe? But to have an adult, especially such a surly looking adult, say something like that to me!

Whoa!

This past weekend, I pulled "Where the Sidewalk Ends" off my shelf and gave it a new read. It had been years. Maybe even decades.

And that poem, it still stopped me in my tracks.

I just finished a biography of Shel Silverstein called "A Boy Named Shel" that I found, of all places, at the Dollar Store.

I'm not going to lie to ya, the biography is not the greatest writing I've ever encountered. In fact, it's pretty bad, worthy of the venue in which it was purchased. That said it did give me some (hopefully true) insight into the life of the very prolific writer, cartoonist, songwriter and playwright.

I learned from this biography that Silverstein's mind was constantly in motion, constantly creating without restrictions.

I only know of a few creative people in my life that are *constantly* channeling The Muse. One of them might even be related to me.

I'm pretty creative and am usually chock full of ideas, but I also go through extended periods of time of writer's or crafter's block. Perhaps for me, these are quiet periods that are essential to my own creative process, because as frustrating is to be creatively constipated, I usually come through it stronger.

I have learned that The Muse will return if I just relax and let her go. She always comes back.

It's funny, sometimes seeing art or meeting a creative person will touch off a creative spark inside of me, thus breaking through the blockades. Through the words of his poems, Shel Silverstein did that for me this weekend. I started a new art project and I did photography and I felt the creatives begin to whisper in my ear, which always gives me such satisfaction.

I understand that Silverstein was a mentor to many of his friends. He would push them to create more, to push the bounds of their art and to be better artists.

Silverstein died in 1999, but his words remain powerful. They speak to me as loudly today as they did when I was young.

Anything can happen, child. Anything can be.





Photo From BigHeartDesign.com

October 6, 2010

I've Lost My Marbles!


Woooo!

There they are! In my hand!





Oooh how I love marbles. I was in a Diddams party store today and I generally revert to about ten years old when I get in that store.

Sensory overload!

It was the bin of marbles that really did me in. That's grade school, baybee! We used to have mad marble competitions on the playground.

Damnit, I sucked at sports but I was GOOD at marbles.

I remember winning a very big and very pretty shooting marble from a bully of a boy. He was SO ticked off at me.

What did I do? I giggled, dropped the marble in my pocket, and walked away.

That's how I roll (pun TOTALLY intended!).

Ain't nothing better than a big bin of marbles.





Unless, of course, it's a big bin of rubber chickens!







(All photos taken with my iPhone)

September 23, 2010

Wordless and Wacked Out Thursday


Much, much going on during what most describe as the busiest week of the year for my company.

I've been pulled right into the fray, which is a good sign. They trust me to get in there.

But I'm learning to run this fast again and the joints ache, if I may use such a metaphor.

And so, I didn't want to let another day go by without a post.

I went to Flickr and pulled one of the first images I saw because it seems to sum up my week.

The photo I chose is below. This is a really, really stunning photograph. Actually, if you have time, visit the entire photostream, amazing photographic work.

Enjoy! This image is pretty symbolic of my day. A carnival! (without the cotton candy or corn dogs).




Image by Photography by Omerell on Flickr.

September 7, 2010

Keep Feeling Fascination


This morning, the idea generator prompted me to "Name something that fascinates you."

Let's see...

Right now, the thing that fascinates me the most is: Peanut Butter M&M's

Oh man, I tried these for the first time during my recent travel. My sweet tooth dragged me to an airport shop where I bought a bag, and ever since I can't stop thinking about and yearning for the peanut buttery goodness!

Oh wait. That's an obsession. Not a fascination.

Let me try again.

Ok, I got it. I’m fascinated by that frapping tree growing in my side yard. The one that grows about six feet a month, drapes over the neighbor's fence, scrapes at the side of the house and blocks the nice view out of my home office window.

Oh no, got it wrong again. That's aggravation.

Hmm. Fascinated by the endless lines of tiny black ants invading my kitchen?

Nope, more aggravation.

How about this! I got it. I'm fascinated by the process I go through every morning to park in my favorite spot in the parking garage. There is a pinched-faced lady in a gray BMW who thinks she owns the spot. I parked there uncontested for a whole month and beginning last week, missy miss BMW thinks it's her spot?

Oh I don't THINK so.

No, every day I'm all about making sure that I get that spot, mine mine mine!!

Nice try, Karen. That would probably be best labeled under compulsion.

Maybe I'm fascinated by my ongoing observations about the sheer quantity of Canada Geese poop at the park near my office?

No, compulsion and aggravation together, I think.

How about my fascination with the recent over 90-degree heatwave in the Bay Area.

Nope. Perspiration.

I got it! Night photography! I'm fascinated by that.

But that's also education. As in, I'm totally all about learning night photography but yet, I'm also fascinated with the art.

Yes. That's it. I think I've resolved it.

That was a lot harder that I thought it would be.


September 1, 2010

Stumbling in there at the last moment


Several months ago, I participated in a fiction project for the Brooklyn-based Art House Co-Op. I was given a theme and a Moleskine notebook and then asked to fill it with stories and images.

And I did! So much fun.

Based on that success, I decided to take on another Art House Co-Op challenge.

This one is called "The Canvas Project."

They sent me three 4x4 inch canvases and a card with three words on it.

My job? To interpret the three words visually, one per canvas.

The words I got? Not easy.

Here they are:

1. Flatuence (because the universe is laughing at me... And yes, it can be spelled without that second L)

2. Training (really? Visually?)

3. Glassy (Oh, hey, sure. Easy peasy. I can visually display an adjective. NOT! I must have looked at the card twenty times to be sure it didn't say "gassy")

I've had the canvases since July. They were required to be postmarked today.

So of course last night I was madly painting and gluing and fretting! I had two done well ahead of time but the third one, glassy, eluded me.

But I got them done. The Good Man promised to mail them out today.

Whew.

Anyhow, I took some semi-decent photos with my iPhone last night.

Herewith, my entries to The Canvas Project exhibition:

Flatuence:





Yes. That's pinto beans. Yes, that's dried roses. And in case you can't tell from the photograph, that white spot in the center? That's a tablet of Beano.

heh.

Training:





When taking beginning painting (or drawing) classes, they tell you to draw a grid on the canvas and work square by square. So I used a very simple image and incorporated a grid as my own personal training.

All four sides carry the warning "Artist in Training."





And finally...this is the last canvas I finished. The glue might even still be setting up while the canvas sits in a box ready to ship....

Glassy:





By the by...broken glass is a LOT harder to work with than I'd expected. Though I worked out much pent up anxiety by smashing all that glass with a hammer. One clear glass pane from a picture frame, a mirror, and a glass candle holder from the Dollar Store, a San Pellegrino green bottle and a cobalt blue tincture bottle gave their all for art.

Big fun! I'm excited to see if any of my pieces are picked for the gallery show in December.

Yay! Thanks Art House Co-Op!!!




August 31, 2010

Experiments at Night


A couple weeks back, I posted some of my first experiments with night photography, including my favorite shot of the Golden Gate Bridge.

This past week, while visiting New Mexico, I decided to try the next step in my night photography lessons, and that is capturing star trails.

Figuring this out required a little astrology, a little photography understanding and a LOT of knowledge about my camera.

Fortunately I had the incredibly well written book Creative Night: Digital Photography Tips & Techniques by Harold Davis (a Bay Area guy), to guide my way.

Due to the very long exposure times on night photos, a tripod is a must. Since I didn't feel like carrying my tripod on a plane, I borrowed one from my best friend's husband.

He uses the tripod to mount his field glasses when he goes hunting, so the tripod head had been...uh...modified. I think "modified" is the best way to describe the carnage that had occurred to the tripod head.

In order for me to use the device, he had to pound out the ten-penny nail wedged in there to help stabilize his field glasses. He also had to find the right sized wrench so I could tighten the bolt that holds the camera in place.

And even then, the camera would suddenly droop but thankfully didn’t drop.

Despite my less than super high tech borrowed tripod, I was able to make it work and was grateful for the borrowed gear.

I took a few photos that night and learned a whole lot about the process. Like, did you know a full moon is so bright it will wash out an exposure? I didn't...until a few nights ago.

The most exciting of the photos from that night is below. It's not well composed at ALL because it has nothing in the foreground to provide a sense of perspective.

What this photo DOES prove is that I have figured out how to take photographs of star trails. This was an eight-minute exposure. A longer exposure will net longer star trails.

I'm incredibly excited about this new knowledge!

Onward to the stars!


My First Star Trail
(click the photo here then click the photo again in Flickr to see larger sizes, if interested)

August 27, 2010

Ow! *Slap*


And here we are at Friday, the end of another week.

An unusual week on my part, but happy to see Friday nonetheless.

Much to process from my day yesterday seeing old friends, burying a dear friend and reminiscing.

But for today, I'm here to talk about a feature of our Fair New Mexico that I really, really don't miss.

Mosquitos.

Now, where I live, I'm sure such creatures exist. It's just that I've not seen 'em.

I'm ok with not seeing them. Pinche insects.

I arrived Wednesday evening at my friend's home out in the boonies north of Las Cruces, and noticed water standing in all the pecan groves and cotton fields.

"I see everyone is irrigating," I mention.

Nope, they tell me. Rain. Three inches arrived the day before I did.

Which leaves standing water.

Perfect habitat for *slap* mosquitos.

I sat for maybe eight minutes outside at a table with a citronella candle on it. My arms. Fine. My ankles? Ten bites on the left, eight on the right.

Mosquitos in the house, too!

As I slept, I got zapped on the earlobe. The earlobe! The one place I forgot to apply repellent.

Gah!

And I won't mention a spot rather close to an unmentionable place where I was also ruthlessly attacked. Twice!

Hate 'em. Always hated them. Sure, I grew up with bug bites up and down my legs, and it was a fact of life. But living without them sure has been pretty durn nice.

I don't miss them. At all.

I'm not usually a fan of chemicals in the air, but even I cheered when the neighbors called the city to have the spraying truck come out. It helped, but didn't eliminate all the little buggars.

*scratch* This Benedryl lotion I'm using isn't helping one bit.

In other, happier, news I've been experimenting with night photography because the light noise at my friend's place is minimal. You can see the ding dang milky way out here!

If I get anything decent, I'll gladly share the results here.

As for now, onward to the weekend.



August 20, 2010

Propagation of the Species


I work across the street from a public park that borders on marshlands, very near the actual Bay. The proximity of water and the tasty grasses in the marsh entice lots of birds to come visit and stay.

Among others, we have egrets, herons, spoonbills and sandpipers. All so elegant and beautiful.

Here's a rather grainy shot of a snowy egret, one of my favorite birds. This one usually keeps a beady eye on everyone walking by:





Many of the birds that we get in our beautiful marshes are on the endangered or near endangered species lists.

So it's good we have a nice habitat here for them.

That said, ya wanna know what bird isn't on any endangered list and is pretty much in zero danger of extinction?

Geese.

@#$%ing Canada Geese.

Or, as I like to call them, feathered poop factories.

Taken with my iPhone, this is by a walking trail:





That's not even a small portion of the inventory.

Here's a wider shot:





Again, to the left and right of this frame there are at least this same number if not more geese.

The one in the center of that photo charged at me, hissing, so I didn't take any more photos.

The geese eat grass, lots and lots of grass, then they process it internally and drop the leftovers right in the middle of the walking trails.

Their drop offs equal the size of the leavings of a large dog. Only a whole lot greener.

Just. Ew.

This morning coming into work, there was a goose right in the middle of the driveway (which is a long narrow single car path). The goose moved neither right nor left, but strutted right down the center of the lane. I counted ten cars in line behind while Mr. Goose waddled his way into the day.

I was in car number eleven.

These cranky birds have certainly figured out how to continue the prosperity of their species. In a big way.

My elderly uncle, unfortunately now deceased, used to shoot bottle rockets at the Canada geese that befouled the walkway in front of his house in Indiana.

They sort of frown on that here in California, don't they?



All photos by Karen Fayeth. Click on any photo to see a larger size.


August 10, 2010

Lessons in Night Photography


About a year ago, I took a wonderful class taught by teacher, friend and mentor, Marty Springer.

As part of the course, we did an evening of night photography.

I struggled mightily with the class. It made no sense. Why shoot photos at night? Where is the light that's so fun to play with?

And manual mode? I have to shoot in manual mode? Gah!

So I listened to Marty and she was very patient and I really just didn't get it. I got a few good photos from that night, but most were sad, weird and blurry.

Recently, I checked out a book from the library by popular photography author Harold Davis. It's called Creative Night: Digital Photography Tips & Techniques.

Harold doesn't say anything different from what Marty taught me. He just said it again. For some reason, it stuck this time.

This weekend The Good Man took me out to Fort Baker in celebration of our second anniversary.

Turns out there is a pier at Fort Baker that affords perfect unblocked views of the Golden Gate Bridge.

I told my partner in crime, "oh we're coming back here tonight."

One rule of night photography is that you need a friend to go along to be your lookout. Setting up the camera takes a bit of concentration and exposures take a long time. As photographer, you get a bit focused. Having someone to keep the weirdos away is always a good idea.

The Good Man wasn't in love with the idea of going out to a pier at 9:00 at night, but I was insistent. As many husbands have done in the face of insistent wives, he came along for the ride with only a few "hmphs" and snorting sounds.

City born and raised husband was geared up and ready to take on trouble from any kooks hanging out down at the pier.

Turns out, the only trouble we would have was from a large family of skunks dining at the trash dumpster nearby.

Let me tell you, both City Boy and Country Girl were equally cautious about those damn skunks.

The word "whooooa" was uttered a lot.

That said...the night journey was WELL worth the trip.

If only for this photo.



(Click here to see a large size.)

Others from the weekend available on my Flickr.


Creative Commons License
Lessons in Night Photography text and images by Karen Fayeth are licensed under a Creative Commons Attribution 3.0 Unported License.

August 9, 2010

Let All Who Pass Here Know


So let's say you and the spouse are talking, and you say "Hey honey, why don't we gather up the kids and make a trip to that happenin' place, San Francisco, Californey."

Why, it's an end-of-summer vacation destination.

And so you book the airline and find a hotel and plan your visit.

On behalf of the Bay Area, there's a few things we'd like you to know.

1) First, thank you. We are happy to have you come and visit! Please, spend your hard earned dollars in our economy. We could use the help.

2) We have some of the best food anywhere. Please stay away from the chain restaurants and try a local place. You'll be glad you did.

3) Everyone appreciates how difficult it is to navigate our geographically limited city located at the end of a peninsula, so don't be a'feared to ask for directions. Most locals have been lost here a few times too.

4) No one calls it "Frisco." Maybe a few people call it "San Fran." You could probably get by with an "S.F." Refer to San Francisco as "The City" and you'll be doing just fine.

5) Bring your camera and don't be shy about taking snaps. It's hard to take a bad photo.

6) Oh, and lastly and most importantly, this is what the weather is like in August:





Just for reference, the exif data on this photograph reports it was taken at 12:08:14 pm on Sunday, August 8, 2010. In case you can't tell, that's part of the north tower of the Golden Gate Bridge.

I'm just sayin'.

Don't pack your shorts, tshirts and a pair of flip-flops for a trip to "sunny California." Pack pants, socks and a jacket. You'll be glad you did.

Also, know this...San Francisco is one of the most beautiful cities you'll ever know.

Come on out ya'll! Enjoy! We're happy to have ya!






Photos by Karen Fayeth taken from the Marin side of the bridge. Many, many tourists were endured in the making of these and many other photographs.



(What all this language below means is that I took and I own the photographs posted here. If you'd like to borrow them, you have to do me the favor of giving me credit for the photo and posting a link back to this page. That's all. Fair enough? I think so.)

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Word and images in this blog post titled "Let All Who Pass Here Know" by Karen Fayeth is licensed under a Creative Commons Attribution 3.0 Unported License.


August 2, 2010

The Rhythm Is, In Fact, Going to Get You


Over the weekend, I had the honor of being included on a list of photographers asked to attend a local women's martial arts training camp.

This is a long running event and my photography teacher is part of the team that pulls off this amazing training event every year.

As I am still a *very* amateur photographer, this event tested every single one of my limited abilities for taking clear and decent photographs of powerful ladies in action.

I've never been much of a martial arts kind of gal myself, so being a part of these classes, taught in many cases by world renowned instructors, was enlightening.

Oh the kicking! The hitting! The breaking chokes. The takedowns.

Wow!

I found myself spectating much of the time, forgetting to use that picture-taking tool in my hand for its intended purpose. It was that intense!

But for all of that, I have to say, the class that made the biggest impression on me was the Taiko drumming class, taught by a lady named Ikuyo Conant.

This tiny woman took FULL control of a class full of strong powerful martial artists and had them drumming their hearts out.

These ladies were out on a cool Sunday morning with roses in their cheeks, whanging away at the drums and laughing. They were all having the best time. Some of the most muscle bound and rather serious women were shaking their groove thang and laughing like school girls.

It was not only a joyful place to be, it was a joyful thing to photograph. The "energy in the room," so to speak, was overwhelming. I laughed along with them. I cheered when they made it through a sequence with nary an error.

After watching Judo, Wing Chun, Tai Kwan Do, and other ancient (and potentially rather violent) arts, I found that Taiko was head and shoulders above the rest as the class I most want to take.

I'm ready to shake the maraca's that the good lord gave me (oh wait, cross culture reference there...whoops) while I beat hell out of a drum.

I haven't yet processed all the photos from the weekend, and I don't have permission (yet) to post photos of participants, but here is a quick snap of Madame Conant doin' her thang.

And oh yes, the rhythm got a hold of me, too!

: shake shake :


July 28, 2010

Word-Reduced Wednesday


A lot of blogs I read have a "Wordless Wednesday" meme where they post an image with no or very few words.

Well, since asking me to use no words is like asking the ocean not to be so darn wet, I think I can only eke my way into a reduced-word situation.

And so...

New Mexico, being of the high desert variety of places, is normally very dry. Humidity levels in the single digits are the norm, and that warm dry air makes me happy.

After all these years living in the Bay Area, you'd think I'd be more accustomed to humidity. I am not.

So I always rather enjoy a trip back to good ol' NM to dry out (and not in that rehab kind of way).

Not this month. Nope. It rained like a sonofagun the whole time I was there. Which, honestly, is good. They need the rain.

However, swamp coolers don't work in the humidity. The evaporative cooling aspect relies on the water evaporating. Which it doesn't when it's humid.

Gah!

But cloudy skies sure make pretty pictures.






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Word-Reduced Wednesday and associated images by Karen Fayeth are licensed under a Creative Commons Attribution 3.0 Unported License.

July 23, 2010

How Do I Choose?


Going to get a little high minded for a Friday. I was presented with another blog post suggestion and this one poses quite a challenge. The assignment? A blog post sharing my top ten favorite works of art.

This is not an easy task. It is hard to come up with ten. It is hard to keep it to just ten. How does one choose from among all the works that touch my soul? Do I go with popular stuff? Do I go with less mainstream stuff?

And then, how does one find photos on the web that even come close to showing the magic of the work?

With much fussing and hand wringing, I've arrived at my list of ten. I'm sure the moment I hit "publish" I'll change my mind.

All but one of these items I have seen in person, and they stand out to me as show-stoppers. Items of art that made me step back, sit down, or stare transfixed (or all three).

Here we go, in no particular order:

Starry Starry Night by Vincent Van Gogh

Van Gogh is, hands down, my favorite artist. I blame this on a high school English teacher who introduced me to his work.

The stabbing, slashing paint strokes appeal to me, and his pain on display, even in a pretty painting of flowers resonates with me. When I saw this painting in person at the MoMA in New York, I cried. Not just wept a little, I bawled. I'd been seeing The Good Man only six months at that point and yet he didn't think I was weird. That *is* a good man.





Tree of Life by Gustav Klimt

This was a new friend I made at New York's MoMA. After crying my eyes out over Van Gogh, I didn't imagine I'd be able to learn to love any other art works that day. I was wrong. I'm not generally a fan of Klimt, but this painting was so engaging, it couldn't be ignored. I go back and look at it pretty frequently while online. There is incredible detail in every square inch of this work.





Masked Ball at the Opera by Eduard Manet

I saw this at the National Gallery of Art in Washington DC back in the late 1990's. I've found no photograph since that does the painting any justice. When you see this work in person, it's painted in such a way that you feel like you are at the party. You can see the folds and wrinkles in the clothing of the other guests. You smile, you frown. They smile and frown back. You are there, in the room, at the party. It's fascinating.

I stared at this painting for about an hour and still had a hard time tearing my eyes away.





Mourner Costume by Henri Matisse

I'm actually not much of a fan of Matisse's work. His torn paper work for which he's so famous rates only a "meh" from me. When I saw the permanent Matisse exhibit at National Gallery of Art it was mostly his paper works, so I walked through pretty quickly. I was about to leave when my eyes fell on this garment.

It's torn paper style done with fabric. In this photo, it looks sort of dull and unimaginative. In person, it's enchanting. The memories of this work of art have stayed with me for years. One day I'd love to try my hand at a cloth work inspired by this:





Dizziness by Iman Maleki

This is the only one I haven't seen in person. I found it via the Art Gallery app on the iPhone and I'm utterly fascinated by this painting. It's my wallpaper on the phone and I can stare at it and see something new every time. I feel some sort of kinship with the man in the work and I'm not sure why.





Los Dos Fridas by Frida Kahlo

It was hard to choose from among the Frida paintings as I love them all. In order to choose, I thought back to the exhibit of her work I'd attended at the De Young in San Francisco. I thought about the one work I spent the most time with. It was this one.





La Pistola y El Corazon by George Yepes

There are actually two versions of this painting, one completed in 1989 and one in 2000. It is the 1989 version that is featured on the Los Lobos album of the same name. Sadly, that painting, owned by Sean Penn, burned in a house fire.

George Yepes created a new version of the painting, however, the 1989 version is my favorite. It's darker and more intense. The second seems, to me, like only a riff on the original.





Room on the Verge by Patssi Valdez

I saw this work at the Chicano Visions exhibit at the De Young in San Francisco. The whimsy, the darkness, the movement of this work just drew me in. I sat down on the floor (no chairs or benches) and stared at it.

My fellow gallery goers looked at me like I'd lost my mind. I didn't care. I wished I had five more eyes so I could to take in more of this painting all at once.

It's gorgeous.





Jean D'aire, Burgher of Calais by August Rodin

I have an intense love for Rodin's work and it all speaks to me of hard work and sadness and endurance. I discovered this particular work at the Cantor Center for Visual Arts on the Stanford Campus and it's the one that sticks with me.

It was as part of a photography class that I was introduced to the Rodin Sculpture Garden, and I tried and tried to photograph the very serious faced Burgher. I have one photo that is pretty good, but it is only of his face. This photo shows the entire statue. He is the very definition of pathos.





Rose and Driftwood by Ansel Adams

I saw this at an Ansel Adams exhibit at the Bellagio casino in Las Vegas. The Good Man was there on business for a trade show, so I entertained myself during the days while he worked. I'd seen a lot of Adams before I took in this show, but somehow this little work had escaped my notice. I walked by it the first time and did a cartoon head whip like "whaaaaa?"

I stood in front of it and stared and stared and got lost in the depth of the woodgrain. It's spectacular. It's a gorgeous simplicity that is so hard to accomplish.





Whew...walking through all of this has left me exhausted. In a good way.

Now I need a nap and a vodka drink, not necessarily in that order.

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All content of Oh Fair New Mexico by Karen Fayeth is licensed under a Creative Commons Attribution 3.0 License.